Reblog: Virtual Reality Installations to Start Arriving at AMC Movie Theaters Next Year

 

Hey everyone! Today I read that America’s biggest movie theater chain, AMC Entertainment Holdings Inc., is putting $20 million behind a Hollywood virtual reality startup and plans to begin installing its technology at cinemas starting next year. That startup, namely, Dreamscape Immersive is said to be backed by Steven Spielberg and offering experiences allowing six people to participate at the same time.

As a Southern California native, I’m excited that… “‘[i]ts first location will be at a Los Angeles mall run by Westfield Corp., [who is] a series A investor. It is expected to launch there in the winter of 2018’ said Dreamscape’s CEO, Bruce Vaughn”.

Not only will experiences that build on traditional movie-going be available. For example, think of John Wick Chronicles which was an immersive FPS allowing people to play as John Wick and travel into the world of hired guns leading up to John Wick 2 earlier this year.  But, the WSJ article says that you can expect to be able to attend, for instance, sporting events virtually with Dreamscape Immersive. An interesting appeal, given that we don’t really associate a trip to the theaters with sports fan viewing experiences.

I’m curious to see how these Dreamscape Immersive locations will be outfitted. Some might find a useful comparison to be The Void – Ghostbusters Dimensions which brings the cinematic experience to life at Madame Tussauds in New York for you and three others. Their experience highlighted dynamism and complete immersion where you walk around an expansive physical space by leveraging custom hardware.

 

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Here’s a glimpse at how their setup looked in July 2016 when I went

 

The article goes on to say that, “the VR locations may be in theater lobbies or auditoriums or locations adjacent to cinemas”. Last year in September we saw Emax, for example, a Shenzhen-based startup execute the adjacent layout. The open layout was nice, in my humble opinion, while there are charms to giving folks privacy a la VR booths one might find at large conferences. Perhaps because it shows how much fun people in the virtual experience are having and gives onlooking friends the chance to share their reactions.

 

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Kiosk situated across from a cinema inside of a mall in Shenzhen

 

On that topic, creative VR applications like Tiltbrush and Mindshow yield some kind of shareable content innately. In the former, when you’re finished with your painting you can export the work of art as a model, scene, or perhaps just the creation video and view it later online. In the latter, you are essentially creating a show for others to watch.

But if the experience is a bit more passive, as in watching a sporting event… are there ways to share that which you experienced with others? Definitely. Via green screen infrastructure and video content. The la-based company, LIV, has been striving towards productization of the infrastructure needed to seamlessly capture guests in a better way.  Succinctly put, LIV “think[s] VR is amazing to be inside, but rather underwhelming to spectate….” Perhaps Dreamscape Immersive will leverage similar infrastructure to expand the digital footprint of these location-based experiences.

What do you think are the most salient points about this announcement?

Read the original WSJ article by clicking here

 

Reblog: The Light Field Stereoscope | SIGGRAPH 2015

Inspired by Wheatstone’s original stereoscope and augmenting it with modern factored light field synthesis, [Fu-Chung Huang, Kevin Chen, Gordon Wetzstein] present a new near-eye display technology that supports focus cues. These cues are critical for mitigating visual discomfort experienced in the commercially-available head mounted displays and providing comfortable, long-term immersive experiences.

 

ABSTRACT

Over the last few years, virtual reality has re-emerged as a technology that is now feasible at low cost via inexpensive cellphone components. In particular, advances of high-resolution micro displays, low-latency orientation trackers, and modern GPUs facilitate extremely immersive experiences. To facilitate comfortable long-term experiences and wide-spread user acceptance, however, the vergence-accommodation conflict inherent to all stereoscopic displays will have to be solved. [Fu-Chung Huang, Kevin Chen, Gordon Wetzstein] present the first factored near-eye display technology supporting high image resolution as well as focus cues: accommodation and retinal blur. To this end, [Fu-Chung Huang, Kevin Chen, Gordon Wetzstein] build on Wheatstone’s original stereoscope but augment it with modern factored light field synthesis via stacked liquid crystal panels. The proposed light field stereoscope is conceptually closely related to emerging factored light field displays, but it has very unique characteristics compared to the television-type displays explored thus far. Foremost, the required field of view is extremely small – just the size of the pupil – which allows for rank-1 factorizations to produce correct or nearly-correct focus cues. [Fu-Chung Huang, Kevin Chen, Gordon Wetzstein] analyze distortions of the lenses in the near-eye 4D light fields and correct them using the high-dimensional image formation afforded by our display. [Fu-Chung Huang, Kevin Chen, Gordon Wetzstein] demonstrate significant improvements in resolution and retinal blur quality over previously-proposed near-eye displays. Finally, [Fu-Chung Huang, Kevin Chen, Gordon Wetzstein] analyze diffraction limits of these types of displays along with fundamental resolution limits.

FILES

  • technical paper (pdf)
  • technical paper supplement (zip)
  • presentation slides (slideshare)